![]() ![]() While their quality and preview performance is excellent, they put quite a strain on the hard disk. Version 6 included two flavours of ProRes, running at 145Mbits/sec and 220Mbits/sec. This is largely down to Apple’s ProRes 422 codecs, which are optimised for Final Cut Pro running on multiple-core processors. Here, Final Cut Pro takes a decisive lead. This level of precision makes Premiere Pro’s speed controls seem unwieldy by comparison.Īrguably, the single most important feature in a non-linear editor is its real-time preview performance. It already had excellent curve-based tools for precise vari-speed playback, but it’s now possible to drag specific frames in a clip to a point on the timeline, whereupon the playback speed is adjusted as necessary either side of this point. This latest version of Final Cut Pro has a significant advantage when it comes to slow- and fast-motion playback. ![]()
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